''You just have to think 'f- it, let's just spend it like this','' he said once. Along with everything else, he is obsessively hard-working: guilty when his schedule gives him a couple of weeks off, embarrassed by success, self-conscious about handling the sort of money films demand. Goodness knows how they kept track: Trance moves seamlessly between ''reality'' and sequences of hypnosis that leave both characters and audience trying to unravel the truth.īoyle maintained momentum, however, even seeing the distance as an advantage. The new film, a thriller called Trance, was shot before the Games - often after a day of Olympics organisation, as if shooting a film were a second job - and edited afterwards. Only Boyle could get that sentiment into The Sun. ''The most important factor for cohesion of a country is that people have jobs,'' he was quoted as saying. ''Olympic spirit killed by recession,'' the headline read. The day his new film had its red-carpet premiere in London, there was Boyle on the front page of The Sun, a rabid red-top. Crews relate with wonder how Boyle, the son of a labourer and a dinner lady, will make everyone tea actors say how much care he gives actors.Įven Britain's notorious tabloid newspapers like Boyle because, even if he is a bit pink, he was responsible for the fabulous London Olympics opening ceremony with its live sheep and dancing nurses. ''He's just a very decent human being: so straightforward and pleasant to deal with and very generous with himself,'' is a typical quote. Everyone seems to like Danny Boyle, the hyper-kinetic director of Trainspotting, 28 Days Later and Slumdog Millionaire.
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